Showing posts with label practice. Show all posts
Showing posts with label practice. Show all posts

Wednesday, June 1, 2011

Three Pillars

When I first started the journey into this crazy path (being a writer), I read advice in an effort to become a better writer. I subscribed to every newsletter I could get my hands on and read every article. I grabbed onto them and tried to do what they said. But I was neglecting two parts of the three most important aspects of becoming a writer (as I found them to be).

Firstly, I want to say that The Fire in Fiction by Donald Maass has been invaluable for my writing (as I’m sure you know by now), as well as The Story Book by David Baboulene more recently. They can tell us how to get started with certain techniques and how and when to utilise them. I thoroughly believe that writing books should be a staple to all writers. Read as many as time allows and soak up the information on the internet. Your brain will safely store all this information and keep it mind in the future. Everything you do can be affected by what you know. The more you know, the better you can create (even if it’s bad advice, because then you can know what not to do). This also includes learning your language. Grammar, sentence structure. Without it, you are on a pool of ice with no skates.

Secondly, humans are hard-wired to learn by example. From the early age of zero, we watch what other people do and adjust our movement and behaviour to fit those of the other people in order to achieve the same. Also, we don’t always need to do things to learn them. If we see someone falling off a roof and breaking a whole lot of bones, we’re going to learn that falling off a roof is a no-no (and possibly develop an irrational fear of roofs, but that’s another story). Basically, we learn from other people’s successes and mistakes. Read everything you can that fits in the same genre as yours. Also read in genres that are not yours.

Thirdly, with some things, you can’t rely on just the theory (and examples). Scrap that. You can’t rely solely on theory for anything. I remember there was an episode of the TV series, Monk, in which it was revealed that Monk had taken a course on swimming over the post. Needless to say, when he needed to swim, it didn’t go so well. Theory and practice go hand in hand. Even so, I’d rather someone rely entirely on practice than entirely on theory. You have to stop all your theory once in a while (read: daily) and actually sit down and write. No matter how bad it stinks.

Those are the three learning pillars of writing (among other things). Theory, example and practice (in ascending order of importance). Learn from professionals, ergo, learn your craft. Read and learn from other authors’ books. Read, read and read some more. Ergo, study your craft.

Finally, write. Write as much as you possibly can. Write every day. Writing is the single most important thing you can do to become a writer – as the name suggests. Everything you write is a lesson that teaches you (even if it is subconscious). This is why NaNoWriMo is such a great project to do. It forces you to write a whole lot of words, each a lesson in writing better ones.

Write.

Ergo, craft your craft.

Wednesday, April 27, 2011

Putting in the Hours

To be a master at something, you have to put in 10,000 hours of practice. That’s a concept that attempts to identify the cause of success.
I’m not sure who came up with it – I think it was Malcolm Gladwell.

Let me do the math for you.
If you spend two hours a day writing, you will reach 10,000 hours in 5000 days. That is somewhere between 13 and 14 years.

That’s a long time.

Still, it is reachable, right? Consider the words of the age-old saying, “Practice makes perfect.” Now consider the words of Vince Lombardi, a renowned football coach, “Practice does not make perfect. Only perfect practice makes perfect.”

So now we combine these two things. It will take you roughly 13 and a half years of perfect practice to get good at something.

Why exactly 10,000 hours? Why perfect practice?

10,000 hours is not necessarily a specific number, but rather a number so high that average people will never reach it. Most people give up before they even get close. Thus, only those who persevere get success.

What I think Lombardi means by perfect practice is that it doesn’t help you to practice doing something wrong. That won’t make you better at it. It probably applies more to football than writing, but I’ll try to apply it anyway. Let’s say your pacing is bad. By practising bad pacing, you’re not going to get any better. The only way to get better is to see where your bad pacing is and where your good pacing is and putting in more of the good pacing.

That said, I don’t think it works as shut and close as it sounds. Writing bad prose lets you see how to improve. Everything you write helps you grow. Why? I have no idea. Maybe it can be explained by psychology beyond my understanding. Either way, perfect practice might not be the correct word. Rather we should say deliberate practice.

As you can read on Justine Musk’s blog here (you should read it, well worth it), deliberate practice is practising hard. You have to work on the edge of your ability. Push yourself to do the best you possibly can. You will fail, but to quote Justine (who might have been quoting someone else, I don’t know), “the important thing is that you’re failing forward.”

Humans learn from mistakes. Someone once said that the key to success is to make mistakes faster than your competition so that you get more opportunities to learn.

You have to practice and practice, making mistakes and learning from them as you go. The more this happens, the closer you are to success.
For more on deliberate practice, the Dip and other awesome things, read Justine’s post here.